William Flew and Girl Music Groups

The LORD, the LORD, the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished; he punishes the children and their children for the sin of the fathers to the third and fourth generation.


From there Elisha went up to Bethel. As he was walking along the road, some youths came out of the town and jeered at him. "Go on up, you baldhead!" they said. "Go on up, you baldhead!" He turned around, looked at them and called down a curse on them in the name of the LORD. Then two bears came out of the woods and mauled forty-two of the youths.

William Flew and Girl Music Groups

 Flick Colby was one of the founding members and the choreographer of the dance troupe Pan’s People, whose inventive and often sensual dance routines on Top of the Pops became an eagerly anticipated part of the show in the Seventies. Colby: her routines for Pan’s People ranged from the balletic and lyrical to the raunchy and hip-gyrating Comprising six alluring dancers, Pan’s People made regular weekly appearances on Top of the Pops for ten years from 1968. As choreographer, as well as dancer, Colby was responsible for producing their routines, which were often pulled together in barely two days, from the time that the Top 20 was published and their dance record selected, to live performance in the studio. An American, she was born Felicity Colby in 1946 and grew up in a small college town in upstate New York where her father was a professor. She attended school at Andover, New Hampshire, travelling regularly to Boston to take ballet and other dance classes. In the mid-Sixties, while performing in summer stock theatre, she met her first husband and they came to England eager to experience “swinging London”. Here she met her future colleagues — Babs Lord, Dee Dee Wilde, Ruth Pearson, Louise Clarke and Andrea Rutherford. In December 1966, tired of feeling exploited by (in those days, mostly male) producers and managers as session dancers, they decided to form Pan’s People, an autonomous group, thus striking a blow for girl power long before the Spice Girls made that claim